Pt-20 sec-4 #10 art critic Forum
- ltowns1
- Posts: 717
- Joined: Mon May 26, 2014 1:13 am
Pt-20 sec-4 #10 art critic
I get why (c) is correct, but it seems that you could also be assuming that if the painting of the copy is red, and it's unlikely that the copyist made a major change, then you could assume that Veronese originally painted the painting red, which in turn led to the copy of the original painting looking red as well. Which would leave open the possibility of (a) or (e) being correct?? Can somebody help with this one
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- Joined: Mon Jul 14, 2014 12:39 pm
Re: Pt-20 sec-4 #10 art critic
Hey Itowns1,ltowns1 wrote:I get why (c) is correct, but it seems that you could also be assuming that if the painting of the copy is red, and it's unlikely that the copyist made a major change, then you could assume that Veronese originally painted the painting red, which in turn led to the copy of the original painting looking red as well. Which would leave open the possibility of (a) or (e) being correct?? Can somebody help with this one
We know that the painting was not originally painted red from the Curator's statements. The Curator wants to restore the painting to the green found underneath, which means that the top layer of red was not the original color. The inference you want to make here is that the painting was originally colored green but then changed to red shortly thereafter.
Hope this helps!
- ltowns1
- Posts: 717
- Joined: Mon May 26, 2014 1:13 am
Re: Pt-20 sec-4 #10 art critic
Jon McCarty wrote:Hey Itowns1,ltowns1 wrote:I get why (c) is correct, but it seems that you could also be assuming that if the painting of the copy is red, and it's unlikely that the copyist made a major change, then you could assume that Veronese originally painted the painting red, which in turn led to the copy of the original painting looking red as well. Which would leave open the possibility of (a) or (e) being correct?? Can somebody help with this one
We know that the painting was not originally painted red from the Curator's statements. The Curator wants to restore the painting to the green found underneath, which means that the top layer of red was not the original color. The inference you want to make here is that the painting was originally colored green but then changed to red shortly thereafter.
Hope this helps!
Got it. Thanks!
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- Posts: 84
- Joined: Mon Jul 14, 2014 12:39 pm
Re: Pt-20 sec-4 #10 art critic
No problem!ltowns1 wrote:Jon McCarty wrote:Hey Itowns1,ltowns1 wrote:I get why (c) is correct, but it seems that you could also be assuming that if the painting of the copy is red, and it's unlikely that the copyist made a major change, then you could assume that Veronese originally painted the painting red, which in turn led to the copy of the original painting looking red as well. Which would leave open the possibility of (a) or (e) being correct?? Can somebody help with this one
We know that the painting was not originally painted red from the Curator's statements. The Curator wants to restore the painting to the green found underneath, which means that the top layer of red was not the original color. The inference you want to make here is that the painting was originally colored green but then changed to red shortly thereafter.
Hope this helps!
Got it. Thanks!
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