First draft - also willing to swap. ETA-different one added
Posted: Mon Aug 08, 2011 2:36 pm
There's some things that seem dissatisfying about it to me, like it's only about 2/3 of what it needs to be, though it's almost a full page single-space, 12pt TNR, so I feel like I'm pretty much around the recommended length.
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I still remember the first time I ever got into a mosh pit. A couple of my friends called me up and asked me if I wanted to go to a show. I was just starting to get into heavy metal, and I’d never been to a live show before, so I leapt at the opportunity. The club was small, and the crowd even smaller than it might have been due to the miserable snowy March weather. Still, once the music started, a handful of people organized themselves into a seething, violent mass slamming into each other, only loosely associated with any rhythm.
For a long time growing up, I didn’t really like music at all. Something about it pained me, whether it was the newest Top 40 pop or the most classical Baroque. Very few people understood, and I quickly learned to tune out whatever was playing as best I could.
Once I hit college, however, most of my friends ended up being some variety of metalhead, and I was introduced to sounds that I never had the opportunity to hear. The driving beats, the growl of distorted guitars, the guttural, emotional yells spoke to me in a way I never felt before. Others’ music spoke gently of love, money, status, or lack thereof. Metal literally screamed of mortality, truth, justice, and reality. To me, it tore away the superficial concerns and laid bare the deepest, darkest heart of life.
Still, on that cold March night, watching the tiny crowd explode into boiling fury, I was afraid of joining in the dance. Like most people, I grew up avoiding pain as a general rule. How could I ignore such a basic instinct? How could these people enjoy being hit, being hurt?
But at some point, I had to let go. I couldn’t possibly have stopped myself. I don’t know whether it’s that the music takes control, or it’s some sort of virus of the mind, or just that I’m crazy, but without ever consciously deciding to I abandoned all apprehensions and launched myself into the pit.
Moshing is the best example of organized chaos and collective consciousness I can think of. What looks like pure violence is really governed by a basic but solid set of rules that you understand almost immediately upon entering. If somebody falls, you pick them up. If somebody’s trying to get out, let them. Don’t grope. Leave the sharp things outside the pit. Beyond that, it can change drastically from show to show.
The hardcore scene, for example, is more aggressive and more focused on the individual, with people jumping in and out at short intervals, dancing with kicks and swinging fists. It’s not uncommon to see somebody get knocked out and quickly pulled away by their friends. In contrast, heavy metal is relatively gentle, focused on body-slams and pushing, everybody moving at once.
Yet there’s rarely any anger or hate. If somebody gets hurt, they’re more likely to give their injurer a hearty pat on the back than to take offense or seek revenge. It’s all done in the strongest of fellowship. I think perhaps it goes to the darker roots of the music: suffering is part of life, so it’s better to hurt together than to hurt alone.
And indeed, the first time I jumped into a pit, it did hurt, as it did every time thereafter. You get hit, you get bruised, and sometimes you get stepped on, bowled over, punched in the gut, or kicked in the face. All that’s happened to me, but ever since that snowy night in March, standing there soaked in the sweat of a dozen people, aching, barely able to hear, but feeling a sense of belonging like no other, I have to say it’s worth it.
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I still remember the first time I ever got into a mosh pit. A couple of my friends called me up and asked me if I wanted to go to a show. I was just starting to get into heavy metal, and I’d never been to a live show before, so I leapt at the opportunity. The club was small, and the crowd even smaller than it might have been due to the miserable snowy March weather. Still, once the music started, a handful of people organized themselves into a seething, violent mass slamming into each other, only loosely associated with any rhythm.
For a long time growing up, I didn’t really like music at all. Something about it pained me, whether it was the newest Top 40 pop or the most classical Baroque. Very few people understood, and I quickly learned to tune out whatever was playing as best I could.
Once I hit college, however, most of my friends ended up being some variety of metalhead, and I was introduced to sounds that I never had the opportunity to hear. The driving beats, the growl of distorted guitars, the guttural, emotional yells spoke to me in a way I never felt before. Others’ music spoke gently of love, money, status, or lack thereof. Metal literally screamed of mortality, truth, justice, and reality. To me, it tore away the superficial concerns and laid bare the deepest, darkest heart of life.
Still, on that cold March night, watching the tiny crowd explode into boiling fury, I was afraid of joining in the dance. Like most people, I grew up avoiding pain as a general rule. How could I ignore such a basic instinct? How could these people enjoy being hit, being hurt?
But at some point, I had to let go. I couldn’t possibly have stopped myself. I don’t know whether it’s that the music takes control, or it’s some sort of virus of the mind, or just that I’m crazy, but without ever consciously deciding to I abandoned all apprehensions and launched myself into the pit.
Moshing is the best example of organized chaos and collective consciousness I can think of. What looks like pure violence is really governed by a basic but solid set of rules that you understand almost immediately upon entering. If somebody falls, you pick them up. If somebody’s trying to get out, let them. Don’t grope. Leave the sharp things outside the pit. Beyond that, it can change drastically from show to show.
The hardcore scene, for example, is more aggressive and more focused on the individual, with people jumping in and out at short intervals, dancing with kicks and swinging fists. It’s not uncommon to see somebody get knocked out and quickly pulled away by their friends. In contrast, heavy metal is relatively gentle, focused on body-slams and pushing, everybody moving at once.
Yet there’s rarely any anger or hate. If somebody gets hurt, they’re more likely to give their injurer a hearty pat on the back than to take offense or seek revenge. It’s all done in the strongest of fellowship. I think perhaps it goes to the darker roots of the music: suffering is part of life, so it’s better to hurt together than to hurt alone.
And indeed, the first time I jumped into a pit, it did hurt, as it did every time thereafter. You get hit, you get bruised, and sometimes you get stepped on, bowled over, punched in the gut, or kicked in the face. All that’s happened to me, but ever since that snowy night in March, standing there soaked in the sweat of a dozen people, aching, barely able to hear, but feeling a sense of belonging like no other, I have to say it’s worth it.
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